Italian painter (active 1338-1368 in Padua)  Related Paintings of GUARIENTO d Arpo :. | Angel hi | Angel | Angel khi | Angel with Millstone | Archangel ighi |
Related Artists:
Antoni Brodowski
(26 December 1784 - 31 March 1832) was a Polish Neo-classicist painter and pedagogue. Brodowski was born in Warsaw but moved to Paris to study under Jean Augustin and Jacques-Louis David, later Brodowski's idol. He also became a pupil of Anne-Louis Girodet and Francois Gerard. His compositions are very large-scale with many figures, and often based on themes from Antiquity. Brodowski is also well-known for his decorative paintings within palaces and theatres in Warsaw.
Therese Schwartze
(December 20, 1852, Amsterdam - December 23, 1918, Amsterdam) was a Dutch portrait painter. Therese was the daughter of Johan Georg Schwartze (1814 - 1874), from whom she received her first training, before studying for a year under Gabriel Max and Franz von Lenbach in Munich. In 1879 she went to Paris to continue her studies under Jean-Jacques Henner. Her portraits are remarkable for excellent character drawing, breadth and vigour of handling and rich quality of pigment. She was one of the few women painters who had been honoured by an invitation to contribute their portraits to the hall of painters at the Uffizi Gallery in Florence. Some of her best pictures, notably a portrait of Piet J Joubert, and Three Inmates of the Orphanage at Amsterdam, are at the Rijksmuseum, and one entitled The Orphan at the Boyman Museum in Rotterdam.
Bartolomeo Montagna
Orzinuovi ca 1450-Vicenza 1523 .Painter and draughtsman. Montagna is first documented in 1459 in Vicenza as a minor and, still a minor, in 1467. In 1469 he is recorded as a resident of Venice. In 1474 he was living in Vicenza where, in 1476 and 1478, he was commissioned to paint altarpieces (now lost). He has variously been considered a pupil of Andrea Mantegna (Vasari), Giovanni Bellini, Antonello da Messina, Alvise Vivarini, Domenico Morone and Vittore Carpaccio. While none of these artists, except Carpaccio, was irrelevant to Montagna's stylistic formation, scholars agree that Giovanni Bellini was the primary influence on his art. He may have worked in Bellini's shop around 1470. Several of Montagna's paintings of the Virgin and Child in which the influence of Antonello da Messina is especially marked (e.g. two in Belluno, Mus. Civ.; London, N.G., see Davies, no. 802) are likely to be close in date to Antonello's sojourn in Venice (1475-6); they are therefore best considered Montagna's earliest extant works (Gilbert, 1967) rather than as an unexplained parenthesis around 1485 between two Bellinesque phases (Puppi, 1962). These early paintings appear to be followed by others in which the geometrically rounded forms derived from Antonello become more slender and sharper-edged. Their figures are imbued with a deeply felt, individual humanity, sometimes austere and minatory, sometimes tender. Among them are some larger-scale works,